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DTSTART;TZID=America/Edmonton:20251122T123000
DTEND;TZID=America/Edmonton:20251122T160000
DTSTAMP:20260418T074910
CREATED:20251021T211006Z
LAST-MODIFIED:20251107T172113Z
UID:10000155-1763814600-1763827200@pr.cmccanada.org
SUMMARY:ArcherFest 2025
DESCRIPTION:Canadian Music Centre Prairie Region Presents:\nArcherFest\, November 22 & 23\nCelebrating the Life and Legacy of Violet Archer\nThe Canadian Music Centre Prairie Region is proud to present: ArcherFest\, a celebration dedicated to the life and legacy of visionary Canadian composer Violet Archer! Also recognizing CMC Prairie’s 45th anniversary\, this two-day festival brings together artists from across Canada to honour Archer and her contribution to the Canadian classical landscape. \n\nDay 1 – November 22\nJoin Us for Family Friendly Events!\n \n\n\n\n\nTime\nEvent\nLocation\nAdmission Information\n\n\n\n\n11:45am\nKimball Theatre Organ Demonstration – Catch the live demonstration of Kimball Theatre Organ! Used to soundtrack movies during the silent film era of the 1920s\, the Kimball Theatre Organ is one of the most popular items in the National Music Centre collection.\nLevel 3\, Sound Affects\nAdmission required to access this demonstration\n\n\n12:30pm\nViolet’s Path: a free storytelling event for the whole family!\nLevel 1\, Drop-in Zone\nFREE Admission\, pre-registration required\n\n\n1:30pm\nComposer Reading Session with the Kensington Sinfonia\nLevel 1\, Drop-in Zone\nFREE Admission\, pre-registration required\n\n\n\n\n\n\n\n \nThis interactive storytelling event is written and performed by Léa Plourde-Archer\, grandniece of Violet Archer\, and features pianist Sandra Joy Friesen. All ages welcome! \n“I knew in my soul that I needed to play music every day for the rest of my life. Music brought me so much joy that I didn’t want to think about how hard life could be at the time for a woman trying to make a name for herself in the musical industry.” – Léa Plourde-Archer\, Violet’s Path: the melodious life of Violet Balestreri Archer \nViolet Archer (1913-2000) earned high honours as a classical music composer beginning in the 1930s. This was a rare career choice\, especially for women at the time\, so Violet faced many obstacles. Through passion and perseverance\, she earned much respect from her peers and built up a catalogue comprising over 300 compositions. \nThis year marks the 25th anniversary of Violet’s death\, and her work and life story are as relevant as ever. Inspired by her great-aunt’s legacy\, drive\, and enthusiasm\, writer Léa Plourde-Archer presents a picture book manuscript that will bring Violet’s story to new eyes and ears. Meant to be enjoyed by children and adults alike\, this story is one of a great Canadian artist who didn’t set out to be a trailblazer\, but became a role model to many simply by following her instincts. \nThe author will read the full manuscript\, which will be accompanied by drawings and photographs illustrating Violet Archer’s life. The reading will also be punctuated with short musical interludes played by live musicians. \n \nAbout Léa Plourde-Archer: \nLéa Plourde-Archer is an experienced content writer and emerging literary voice. Recently\, her creative focus has turned toward the life and legacy of her great aunt\, celebrated Canadian composer Violet Archer. Fueled by a deep curiosity and a vibrant imagination\, Léa is currently developing two manuscripts about Violet’s life: one crafted for young readers and the other intended for adults. She hopes to bring this remarkable musical figure to new audiences through storytelling and research. \n \nThe Canadian Music Centre Prairie Region presents Composer’s Reading Session\, featuring the Kensington Sinfonia. This interactive session brings selected works by local contemporary composers to life\, giving each piece a live reading and immediate response from the musicians. Composers can hear their music performed\, experiment with ideas\, and work directly with the ensemble to explore nuances of orchestration and interpretation. As a rare live workshop experience\, this session provides invaluable feedback from professional musicians. \nAbout Kensington Sinfonia: \nThe Kensington Sinfonia has been sharing intimate\, inspiring chamber music with Calgary since 1988. From timeless Baroque favorites to bold new works\, the ensemble creates programs that celebrate both tradition and innovation. With a strong focus on local composers and collaborations\, the Sinfonia brings fresh energy to every performance. Now in its fourth decade\, Kensington Sinfonia continues to make classical music welcoming\, creative\, and community-driven — inviting audiences of all ages to connect with the joy of live performance in new and meaningful ways. \n\nThis festival is presented in partnership with the National Music Centre and the Alberta Registered Music Teachers Association (ARMTA)
URL:https://pr.cmccanada.org/event/archerfest-2025-day1/
LOCATION:National Music Centre\, 850 4 St SE\, Calgary\, Alberta\, T2G 1R1\, Canada
CATEGORIES:Prairie
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ORGANIZER;CN="CMC Prairie":MAILTO:prairie@cmccanada.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20251123T133000
DTEND;TZID=America/Edmonton:20251123T160000
DTSTAMP:20260418T074910
CREATED:20251021T211632Z
LAST-MODIFIED:20251107T172037Z
UID:10000156-1763904600-1763913600@pr.cmccanada.org
SUMMARY:ArcherFest 2025
DESCRIPTION:Canadian Music Centre Prairie Region Presents:\nArcherFest\, November 22 & 23\nCelebrating the Life and Legacy of Violet Archer\nThe Canadian Music Centre Prairie Region is proud to present: ArcherFest\, a celebration dedicated to the life and legacy of visionary Canadian composer Violet Archer! Also recognizing CMC Prairie’s 45th anniversary\, this two-day festival brings together artists from across Canada to honour Archer and her contribution to the Canadian classical landscape. \n\nDay 2 – November 23 – Ticketed\n\n\n\n\n\nTime\nEvent\nLocation\nAdmission Information\n\n\n\n\n1:30pm\nPre-concert Chat with Janna Sailor and Anton Lindenblatt – As part of an ongoing initiative to promote the works of Violet Archer\, Canadian Music Centre (CMC) Prairie Region Director Janna Sailor sits down with CMC Prairie Library Assistant Anton Lindenblatt to discuss the Violet Archer Digital Engraving Project.\nLevel 2\, Performance Hall\nTickets Required\n\n\n2:00pm\nIn Violet Light: Celebration Concert of Violet Archer\nLevel 2\, Performance Hall\nTickets Required\n\n\n\n\n\n \nThis concert celebrates the luminous legacy of Violet Archer (1913-2000)\, whose music reflects a vibrant blend of intellect\, lyricism\, and national identity. Archer’s musical palette is deeply evocative\, and this program brings to life her extraordinary concepts of tonality\, phrasing\, counterpoint\, structure\, and texture that shaped and solidified her mastery. \nIn Violet Light invites listeners to trace the pathways of Archer’s creative journey and her lifelong advocacy for new music. Featuring renowned Canadian artists Camryn Dewar (soprano) and Sandra Joy Friesen (piano)\, experience how her works continue to resonate through solo piano pieces elegantly complemented with songs for mezzo soprano. \n \nAbout Camryn Dewar \nFulbright scholar and multi-instrumentalist Camryn Dewar is a champion of vocal versatility and accomplished Métis musician\, known for her dynamic range across musical genres including contemporary classical\, opera\, musical theatre\, and jazz. Hailed as an “incredible performer and instrument” (Jeffrey Gall)\, Camryn is passionate about presenting works of living and Indigenous composers\, and is committed to using her artistry as a catalyst to uplift and amplify Indigenous voices. After successfully completing a highly-acclaimed tour of her lecture recital on Indigenous female representation in Canadian opera in New Jersey\, she is now touring this innovative and unique lecture recital series across Canada. \nRecent operatic engagements include: Blind Injustice at Jazz at Lincoln Centre\, The Grapes of Wrath at Carnegie Hall with Tony Award winning music director Ted Sperling\, Indians on Vacation at the Banff Centre for Arts and Creativity\, Hansel and Gretel at Montclair State University\, Li Keur: Riel’s Heart of the North at Manitoba Opera\, and Living Music at the Canadian Museum for Human Rights. \nCamryn has received numerous awards and fellowships\, earning her Bachelor of Music (Vocal Performance) from the University of Manitoba\, and her Master of Music (Performance) at Montclair State University with Metropolitan Opera mezzo-soprano Barbara Dever. \n \nAbout Dr. Sandra Joy Friesen \nIn the early stage of her performing career\, Sandra Joy Friesen became intrigued by music that took her beyond the familiar conventions of structure and style\, music that required alternative approaches to interpretation and practice\, and heightened sensitivity towards musical expressions. As she welcome opportunities that fulfill the creative process\, Sandra Joy played a broad range of repertoire from traditional to contemporary\, to interpretation of pictorial scores and interdisciplinary collaboration. \nIn 2009\, Sandra Joy’s studies in improvisation and free-interpretation with pianist Douglas Finch (London\, England) became a turning point in her musical artistry and this practice continues to feed her inspiration and motivation as a musical artist. Sandra Joy havs promoted the music of Canadian composers since the early 90s and was invited by the Association for Canadian Studies in Mexico and in Brazil to represent the University of Alberta and Canadian composers in solo piano recitals. \nGenerous awards from the Alberta Foundation for the Arts and Edmonton Arts Council allowed Sandra Joy to complete the recording Sound Reflections\, Volume 1: Off the Shelf; a project of audio plus video recordings that provide interpretive context and address various challenges in contemporary music. Among her musical passions\, the elegantly refined and picturesque style of the French masters features regularly in her solo piano programs. Sandra Joy has always felt a special sensitivity for art song and choir collaborations\, performing this vast repertoire throughout her career and\, currently\, she enjoys being the pianist for the Cantaré Children’s Choir. \nThis festival is presented in partnership with the National Music Centre and the Alberta Registered Music Teachers Association (ARMTA)
URL:https://pr.cmccanada.org/event/archerfest-2025-day2/
LOCATION:National Music Centre\, 850 4 St SE\, Calgary\, Alberta\, T2G 1R1\, Canada
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20251205T193000
DTEND;TZID=America/Edmonton:20251205T213000
DTSTAMP:20260418T074910
CREATED:20251107T163501Z
LAST-MODIFIED:20251107T171740Z
UID:10000158-1764963000-1764970200@pr.cmccanada.org
SUMMARY:New Music Edmonton presents Through Closed Doors – Ukrainian New Music
DESCRIPTION:New Music Edmonton presents Through Closed Doors – Ukrainian New Music – a portrait of some of the incredible new work being created by composers of the Ukrainian descent diaspora. Zoltan Almashi is still in Ukraine. In one way or another\, their works reflect on\, or are influenced by\, the current and past history of Ukraine\, and of Ukrainian culture. They suggest that art and creativity are a central\, crucial voice in ensuring an ongoing\, robust identity. Led by violinist Viktoria Grynenko\, this all-star ensemble of some of our city’s finest string players will interpret these amazing works for various strings configurations\, including electronics. Based around reactions to invasion and war\, reflections on the Revolution of Dignity\, this will be a profoundly moving\, absorbing look at what it can mean to create art with intense resolve and belief. \nViktoria Grynenko and Vladimir Rufino (violin)\, Fabiola Amorim (viola)\, Amy Nicholson (cello)\, Guillaume Tardif (violin). Compositions by Anna Pidgorna\, Boris Loginov\, Zoltan Almashi. \nContent warning – sleep during insomnia has sounds of air raids and explosions. \nThrough Closed Doors is a clandestine dialogue between two people trapped on opposite sides of a closed door. The definitive version of the score is inscribed on a restored antique door\, which was once hacked with a hatchet\, leaving a jagged hole. This disturbingly fascinating wound inspired the dramatic conception of this piece and some of its musical gestures. The phrasing draws loosely on speech and song patterns\, while the work’s structure grows around the door\, guided by its various panels and defects. The graphic notation\, designed specifically for this piece\, eliminates accents\, dynamics\, and bow pressure markings by incorporating them directly into the staff lines. The wavering staves resemble natural wood patterns and invite the performers to approach the score intuitively. The layout of the musical lines on the door guides the physical manifestation of the drama being played out in the music. This work was commissioned by Thin Edge New Music Collective and premiered by Ilana Waniuk and Suhashini Arulanandam in 2014\, in Toronto\, Canada. \nDuo for Two Violins\, No. 1 – Composed in 2007 and revisited in 2022\, this work was commissioned by Anna Savytska and Jakub Dzialak\, a violin duo known for their performances of experimental music. Almashi knew the musicians\, however\, as virtuoso violinists with great richness of sound\, which inspired him to write Duo for Two Violins\, No. 1. He aspired to create a piece that allowed the duo to exploit the violin’s conventional range of sound: “I was sure that deep inside\, they [Anna Savytska and Jakub Dzialak] wish for a contemporary piece where one can simply play with a beautiful sound\, play sincerely and expressively”. \nsleep during insomnia – The impulse to create sleep during insomnia originated in the composer’s need to “do something” at the beginning of the full-scale Russian invasion of Ukraine. This piece for string quartet and electronics is inspired by various forms of sleep and insomnia. \nAccording to Loginov\, at the start of the all-out war\, everyone was “… sleeping and awake at the same time\, we [Ukrainians] could sleep very little\, or not sleep at all\, or sleep but wake up several times\, night or day\, constantly waiting for bad news\, or even worse news”. His creative process began by experimenting with sounds recorded prior to the Russian invasion\, such as his wife’s breathing\, the rumblings of an old garage door\, and stones clashing or falling. The piece unfolds around the funeral song referred to as “eternal sleep” from Sergei Ta \nThrough Closed Doors (2014) – Anna Pidgorna \nDuo for Two Violins No. 1 (2007-2022) – Zoltan Almashi \nsleep during insomnia (2022) – Boris Loginov \nGreen Sonata – Zoltan Almashi
URL:https://pr.cmccanada.org/event/new-music-edmonton-presents-through-closed-doors-ukrainian-new-music/
LOCATION:Mile Zero Dance\, 9931- 78 Avenue NW\, Edmonton\, Alberta\, T6E 1N6\, Canada
CATEGORIES:Prairie
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BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20251207T190000
DTEND;TZID=America/Edmonton:20251207T210000
DTSTAMP:20260418T074910
CREATED:20251201T174437Z
LAST-MODIFIED:20251201T174437Z
UID:10000160-1765134000-1765141200@pr.cmccanada.org
SUMMARY:Underneath the Stars\, presented by Aurora Choral Lethbridge
DESCRIPTION:“Underneath the Stars” presented by Aurora Choral Lethbridge\, director Dr. Janet Youngdahl\, pianist Dr. Brad Parker with special guests\, “Bella Storia\,” Holly Bhattacharya\, violin and Chellan Hoffman\, organ. Music by Hildegard von Bingen\, J.S. Bach\, Craig Hella Johnson\, Lavinia Kell Parker and more…\n\n\n\n\n\n\nAurora Choral Lethbridge\, director Dr. Janet Youngdahl\, pianist Dr. Brad Parker with special guests\, “Bella Storia\,” Holly Bhattacharya\, violin and Chellan Hoffman\, organ\n\n\n\n\n\n\n\n\n\n\n\nTickets at the door: $20 regular; $15 students/seniors
URL:https://pr.cmccanada.org/event/underneath-the-stars-presented-by-aurora-choral-lethbridge/
LOCATION:Southminster United Church\, 1011 4 Ave S\, Lethbridge\, Alberta\, T1J 0P7\, Canada
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20251211T190000
DTEND;TZID=Europe/Paris:20251211T210000
DTSTAMP:20260418T074910
CREATED:20251201T175059Z
LAST-MODIFIED:20251201T175823Z
UID:10000161-1765479600-1765486800@pr.cmccanada.org
SUMMARY:"Sonic Landscapes" Piano Music by Canadian Composers presented by pianist Brad Parker
DESCRIPTION:Piano music by Canadian composers including works by Prairie Associate Composers Mari Alice Conrad and Lavinia Kell Parker as well as composers Georg Boenn\, John Burge\, Christine Donkin and Martha Hill Duncan.
URL:https://pr.cmccanada.org/event/sonic-landscapes-piano-music-by-canadian-composers-presented-by-pianist-brad-parker/
LOCATION:Maison des étudiants canadiens\, 31 Boulevard Jourdan\, Paris\, 75014\, France
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