Alex’s concerto is the product of his close friendship with his colleague Simone Porter. Estacio’s work was inspired by his first sight of the northern lights after moving to Alberta. And Schoenberg, herald of the modern era, was a great admirer of “Brahms the Progressive,” as he called him.
Under-represented works by masters (Beethoven & Mendelssohn) join fiery 20th century works, all under the hand of CPO Music Director Rune Bergmann.
Performed by ESO Concertmaster Robert Uchida, Elgar’s thoughtful concerto has become a musical standard. Outgoing Symphony Nova Scotia Music Director Bernhard Gueller champions a work written for his orchestra by Sri Lankan-Canadian Dinuk Wijertane.
A tribute to a pair of WWI veterans and a experimentation with neo-baroque techniques are sure to make this an unforgettable performance. The ESO moves perfectly from reverence to mischief in this outstanding musical display.
A tribute to a pair of WWI veterans and a experimentation with neo-baroque techniques are sure to make this an unforgettable performance. The ESO moves perfectly from reverence to mischief in this outstanding musical display.
Beethoven’s career-making concerto is matched by Vaughan Williams’ unconventional, yet beautiful elegy to the dead of The Great War. Hatzis’ evocative work was inspired by Shakespeare’s The Tempest.
Mozart’s final concerto, Bruckner’s final symphony—works inspired by the unexpected and the divine. James Campbell, our clarinet soloist is from Leduc—a dear friend of the ESO.
Mozart’s final concerto, Bruckner’s final symphony—works inspired by the unexpected and the divine. James Campbell, our clarinet soloist is from Leduc—a dear friend of the ESO.
