Modern Composer’s Toolbox Series
June 7 (choral) | June 21 (instrumental) Join CMC Associate Composer D. Geoffrey Bell in his “Modern Composers Toolbox” series, as he dives into the world of digital software for emerging composers!
June 7 (choral) | June 21 (instrumental) Join CMC Associate Composer D. Geoffrey Bell in his “Modern Composers Toolbox” series, as he dives into the world of digital software for emerging composers!
CD 88 - Beautifully Relentless, Op. 322 (Ying/Yang Melody Cycle) for three horns, piano and drums The I Ching can be organized in a circle. It is a gradual pattern like the changes in weather through a year. There are beautiful patterns including fascinating opposites. He has organized this set into a pattern which has [...]
Piotr Grella-Możejko has been very busy throughout the closing months of 2024 and in early 2025. Catch up now!
Read about the history of the Canadian Music Centre.
Two of our own Prairie Region Associate Composers' albums have been nominated for Classical Recording Of The Year!
CMC Prairie prides itself in the promotional work that we do for concerts, news, and events in the Prairie Region musical community.
The Canadian Music Centre, Prairie Region (CMCPR) is pleased to announce that Robert Humber (Calgary) is the winner of the 2024 Emerging Composer Competition (ECC) for his piece, warmth comes.
Congratulations to our 2024 Initiatives Fund Winner, Tawnie Olson!
Emerging Composers with a connection to Canada’s Prairie Region are invited to submit their orchestral works to the 22nd edition of the CMC Prairie Region Emerging Composer Competition for Orchestra with a cash prize of $1,000 and performance by the Winnipeg Symphony Orchestra (WSO) during the 2025 edition of the Winnipeg New Music Festival (WNMF).
"More than 100 years ago, in 1913, Igor Stravinsky’s The Rite of Spring took its first performance at the Théâtre des Champs-Élysées in Paris. The twittering dissonance in the music, combined with the jerky movements of the dancers, is rumoured to have caused a riot from the audience. “As human beings, we react to music [...]